Posts Tagged ‘bally chohan movie review’

Movie Review by bally chohan : The Devil Inside

Wednesday, January 18th, 2012

“The Devil Inside” is an awful movie. Everything about it is cringe-worthy … except for the parts that are supposed to be. Those are just lame. You would think that in a movie designed to scare people they could at least accidently make one scary moment, but they don’t. This film fails on every level.

The film centers on Isabella Rossi. She is the daughter of Maria Rossi, a woman who, 20 years earlier, murdered three members of the Catholic Church while they were performing an exorcism on her.

Isabella decides to go visit her mother at the psychiatric hospital where she is being held. While in Rome, she wants to learn more about exorcism so she sits in on a class being taught by the Catholic Church.

Accompanying Isabella is Michael, a documentary filmmaker capturing all of the events. They eventually meet up with two priests who perform exorcisms and try to figure out whether Isabella’s mother is crazy or still possessed.

This is the type of movie the public should be glad to have movie reviewers for to warn others not to waste their money. When this movie eventually comes out on DVD and is available at a local Redbox, the $1.06 to rent it would still be a monumental waste of money. Therefore, I’ve made a list of things that $1.06 would be better used on.

- Your local McDonald’s Dollar Menu: Even if you hate McDonald’s, you would still feel better about yourself eating a calorie-loaded McChicken than you would after viewing this film.

- Penny beers at Hawk’s Nest: You could drink 106 beers and still have enough brain cells left to realize just how bad this movie is. (Note, I do not endorse drinking over 100 beers in one night. However, spread out over several nights would be acceptable as long as you’re 21 and not driving.) Side note: These safety notes are still more interesting than the movie. It actually makes safety look fun in comparison.

- An on-campus movie: This week, ironically for me, “Tower Heist” is playing. I gave this film two out of five stars in a review a few months back. Yet, it’s still twice as good as “The Devil Inside.”

I could make a whole other list of things you would be better off spending your money on than seeing this film.

The film is shot in a “faux-documentary” style just like the “Paranormal Activity” films. Even though I’m a fan of the style, this movie manages to completely misuse it.

When done correctly, such as in “Paranormal Activity,” it can have a powerful effect and terrify you. When done the way “The Devil Inside” does it, a mixture of boredom and frustration will make you want to leave the theater. I’ve only been to three movies that actually made me want to walk out of the theater, and this is one of them. I stuck it out to the end though and was able to witness one of the worst endings ever. This is no exaggeration. The ending is terrible.I hope by me writing this you’re not intrigued to go see the movie whatsoever. The ending alone is reason enough to stay home. Don’t waste your time, and more importantly, your money.

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Movie Review by bally chohan Vettai

Monday, January 16th, 2012

Bally chohan describe all about this movie :  N Lingusamy has adapted a tried and test formula for his latest movie Vettai. The director, in his usual way, has blended all the elements that make a movie entertaining. In fact, he takes to the era of 80s-90s film, where good having the last laugh against the evil. The filmmaker has also ensured to bring out the best from his actors – Aarya, Madhavan, Sameera Reddy and Amala Paul.

We have seen many movies before, which shows an elder sibling bailing out his younger one from troubles but in Vettai it is vice-versa. The introduction to the characters begin with the early days of Tirumurthi (Madhavan) and Gurumurthi (Aarya), where the former gets beaten-up by his acquaintance while flying a kite. In return, Tirumurthi, who leaves the place crying, makes his junior to seek revenge .

Having given enough hints about the nature of the siblings, the story then moves forward when Tirumurthi, by chance or may be by force, turns a cop. Lacking courage and strength, he manages to face the hurdles with the help of his brother. Being a kind of body double to his elder sibling, Guru successfully makes baddies Annachi (Ashutosh Rana) trembling in fear.

At this juncture, Tirumurthi ties the knot with Vasanthi (Sameera Reddy) and Gurumurthi falls in love with Jayanthi (Amala Paul). However, the villain discovers the truth and the situation changes drastically. The remaining part should be seen on-screen.

The story drives you on a familiar territory and one cannot expect too many surprises in the tale. But Lingusamy, who has mastered in this genre, does not allow the audience to lose their attention rather he makes them to watch the close-to-three hour film without getting bored. The film has each and every ingredient, which audience love to see on-screen. Good story, fights, comedies and songs that make the movie an interesting affair.

Aarya and Madhavan steal the complete show with their excellent performances. Here, we should praise Maddy for putting on some kilos and developing a paunch for his role of a laid-back cop. In fact, he amazingly brings the life to his role and makes the viewers that his role is dozy in front of Aarya’s character, which shines almost in every scene. Sameera Reddy and Amala Paul are good and they have justified their roles. However, Ashutosh Rana, despite getting enough scenes, fails to create fearsome atmosphere in the role of a villain. Rest others are okay. Technically, Nirav Shah’s cinematography is good, Yuvan Shankar Raja’s music is okay and Silva’s action stunts are commendable. Lingusamy has complete control over the subject and from his writing team, especially from the dialogue writer Brinda Sarathy, he has taken out best.

On the flip side, Lingusamy has committed a mistake by changing the attitude of Madhavan’s character in the second half. It looks logic-less and not convincible for many. Putting aside this, there are quite a few minor errors, which go unnoticed.

Verdict: While Nanban has the elements to attract the urbanites and the youths, Vettai is a material,   which will be liked by family and mass audience. It is a paisa-vasool movie, go for it.

Cast: Madhavan, Aarya, Sameera Reddy, Amala Paul, Ashutosh Rana and others.

Director: N Lingusamy

Music: Yuvan Shankar Raja

Cinematography: Nirav Shah

Producers: N Subash Chandra Bose and Ronnie Screwvala.

Released on: January 14

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Movie Review by bally chohan : War Horse

Wednesday, January 11th, 2012

Bally chohan : May be it was the epic, old-fashioned storytelling, or the touching bond depicted between man and animal. Whatever the reason, Steven Spielberg’s War Horse worked its way into my heart and I enjoyed it purely as a simple, fulfilling story. Thinking back on it, I smile because this is the type of film many people of various ages and backgrounds can enjoy together. It has a universal appeal because it’s about universal feelings and themes, like caring for a child or pet you’ve nurtured and watched grow; seeing promises all the way through; and basic survival. You can categorize it as a war picture, sure, but it doesn’t necessarily takes sides and label one country good and another evil, nor does it see things from a single point of view. War in this case serves as a mechanism for us to see how any human being – English, French, German, man, woman, adult, child – can be linked to others through his or her humanity. In this case, their humanity stems from the way they care for and react to the title character.

The story has the kind of classic tone that resonated in films of the 1930s, free of cynicism and filled to the brim with underlying hope. In Devon, Ireland, just before World War I, a poor farmer named Ted Narracott (Peter Mullan) hastily (and drunkenly) bids on a horse in a local auction to spite his smug landlord (David Thewlis). But the horse is too skinny and jumpy to pull a plow, which is what Narracott needs it for, and so he ends up with a seemingly useless animal and an even greater line of debt. His wife (Emily Watson) gives him one month to train it; otherwise she vows to return the horse herself and beseech the landlord for forgiveness. But their son, Albert (Jeremy Irvine), who saw the young thoroughbred come into the world, sees a golden opportunity to raise it as his own.

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Bally chohan reviewed New Lexus Sports Coupe Crosses Digital Divide

Tuesday, January 10th, 2012

Bally chohan sad  Amid the dozens of vehicles debuted at the North American International Auto Show Detroit on Monday, many of the concept trial balloon cars boasted digital consoles worthy of this week’s Consumer Electronics Show in Las Vegas.

One prime example is Toyota Motor Corp.’s latest luxury design study, the Lexus LF-LC sports coupe. The car boasts curvy sheet metal that sheaths a rear-wheel drive, advanced hybrid power train under its dramatically sloped hood. Styling highlights include a lily-stem motif interior cockpit and tail lamps “inspired by the look of a jet afterburner at take-off,” according to the company’s press release.

But perhaps the most notable innovation is a pop-up touch-screen keyboard wedged between the front seats to adjust unnamed functions, presumably including audio and climate controls. Mark Templin, general manager of Lexus in the U.S., described the half-bolted down digital tablet as “kind of like having a tilt-up iPad” built into the center console.

That device is flanked by smaller, smartphone-sized flat touch panels on the inside of each door used to control the side mirrors, door and window operation and seat adjustments. The similarity of these arm rest panels to Apple Inc.’s iPhone screen is unmistakable–and the corporate hat tip is not something Toyota shied away from acknowledging.

“We’re moving more into the digital age and away from the mechanical, so it makes sense for us to try touch interfaces that look like a tablet or iPhone,” Kevin Hunter, president of Toyota’s Newport Beach, Calif.-based design center, said in an interview. “People are expecting this technology to be brought into cars.”

Not to be outdone by these accoutrements, the candy apple red show car also boasts twin 12.3-inch LCD panels inside showcasing core instrumentation such as the speedometer and navigational controls.

With all that high-tech, it wouldn’t be surprising to see such a car on display at CES or another electronics expo. And it begs the question: Will cars of the future be made by Toyota and Hyundai, or the likes of Apple and Samsung?

While Toyota officials stress the LF-LC is merely a conceptual exercise, they hint there’s ample room in the automaker’s line-up for a similarly styled $150,000 “poor man’s LFA,” a reference to the limited production Lexus super sports car that sells for $375,000. iPad not included.

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Players review: by bally chohan

Friday, January 6th, 2012

bally chohan sad:Desi versions of Hollywood thrillers are like ‘first copy’ bootlegs from Thailand. They initially look approximately the same but later the threads begin to wriggle out. So when director duo, Abbas-Mustan took on ‘The Italian Job’, Benny Hill became Neil Nitin Mukesh, everyone double-crossed and obvious lines were exchanged with a grim face. Now, tough guys don’t snigger until they’ve outwitted someone or unless they’re delirious like Mogambo! But our bad boys are, firstly, not all boys and their badness is mostly restricted to the leather jackets rented from MJ’s ‘Bad’ music video. So looking grim is a ritual observed throughout the audience.

Most would vaguely know about the original gold heist comic caper so let’s go straight to the singular flourishes added here. Veteran robber, Victor Dada (Vinod Khanna) is teaching cops in prison about criminology. He has a long black coat slung over his prison uniform. If you think you’re dreaming, in the very next scene, his lawyer Charlie (Abhishek Bachchan) casually strolls into prison and concludes his lecture. I think prison is being confused for an old-age home with flexi-visiting hours. Later when Victor is to be operated for a terminal condition, the very same cops get dutifully sentimental and instruct the surgeon, “Doctor saab, please inhe bachaaiye… humein inse bohot kuch seekhna hain.” And that is the sum total worth of his life?

Anyway, Charlie is the man with the master plan for this international chori. He is loved by both the leading ladies, few of the leading men and some of the extras. While he casts a gang of singular talents, his own span across the spectrum, earning him maximum screen space and the privilege to pronounce ‘mourning’ as ‘morning’.

Among the members in Charlie’s crew, the most peculiar back story is that of the world famous illusionist, Roonie (Bobby Deol). He almost breaks down reflecting on it, saying, ‘Magic se sirf duniya barbaad hoti hain’. The flashback is of a freak accident during an elevation act involving his daughter that manages to trick no one. And now that his daughter is paralyzed, he wants to partner in this crime to build a house that operates on mere gestures (he actually says this!). He also does sufficient dialogue-baazi, circa 1980s, to prove his intent and ability with cheese burgers like, “Bada player banna hain toh bada risk lena hi padta hain.”

Trying to infiltrate and deceive the Russian army and slip out with cartons full of gold bars can require meticulous planning and military precision. But in an Abbas-Mustan movie, it’s a far less complicated affair. Full-time automobile expert, part-time item girl, Riya (Bipasha Basu) shakes her hips for the concerned chief military personnel and before he knows it, he’s out of his pants and on the floor being photographed from every angle like a Chinese manufacturer looking for a prototype to create bootlegs.

The film also has curious elements that may never find scientific explanations. Like when Charlie pushes the carriage vault, it pulls open instead! And why does explosives expert, Bilal (Sikander Kher) convey his supposed deafness with expressions like a werewolf on a full moon night? Or how does Victor’s techie daughter, Naina (Sonam Kapoor) suddenly master kickboxing and seductive hip flexing (which by the way is as asexual as a tomato seducing a potato in a salsa salad).

Adapting from a book and adapting from another film have one constant: both are subjected to comparison. That aside, the larger argument here is whether adapting from a film is ethical or not. Some directors respond to this reflexively, saying that it only helps narrate a good story to a larger audience or that it is a fond tribute. But a remake of ‘The Italian Job’ which makes the defining chase sequence look like a rickshaw chugging over monsoon-corroded roads refutes both these rationales. Definitely a job taken not so seriously.

Cast: Bobby Deol, Neil Nitin Mukesh, Abhishek Bachchan, Bipasha Basu, Sonam Kapoor, Omi Vaidya, Sikander Kher, Vinod Khanna, Johnny Lever

Directed by Abbas-Mustan

Rating: Game Over

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Bally chohan reviewed: I Sutherland feels some awful decisions against India could be helpful in convincing BCCI for DRS – Cricket News

Thursday, January 5th, 2012

Irked by BCCI and its players’ continuous opposition of the Decision Review System (DRS), Cricket Australia’s Chief Executive, James Sutherland, has said that “some awful decisions” against India are needed to convince them for using the review system in their matches.

For BCCI, usage of the system has always been major issue in India’s bilateral series with any other team. Although most boards are in favor of it, the Indians, for some reason, have become strong antagonists. According to ICC’s recent decision regarding DRS’ usage, teams participating in a series will decide whether to use the technology. However, India, instead of consulting with other participants, makes sure not to allow DRS at any cost.

It did the same for the recent India-Australia series. And in the absence of DRS, several incorrect decisions by the on-field umpires fell harsh on the Aussies. Mike Hussey’s caught behind by Marais Erasmus and Ed Cowan’s dismissal were two wrong decisions by the on-field umpires, as later adjudged by TV replays.

In this very context, Cricket Australia’s chief executive expressed disappointment over the absence of DRS in from such a prominent match.

“The technology is here, the viewers are watching it on TV and we’re not using it,” said Sutherland speaking to the media reporters on Friday.

“Perhaps we need some pretty awful decisions to go against Indian batsmen,” he added further and hoped the Indians would soon agree to the use of DRS in its matches.

Since its inception, the BCCI has picked up issues on the technology. However, according to Sutherland, the technology has increased the entertainment value of the sport and should be a part of every international cricket match.

“It’s fact – the number of decisions that were correct have increased with the introduction of DRS and I think the entertainment value of cricket has increased as a result of DRS,” he added.

Let’s wait and watch what the second match between Australia and India has to offer. It begins in Sydney next week!

Tagged in: India cricket team, test cricket, BCCI, James Sutherland, DRS

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Bally Chohan Dubai: Yamla Pagla Deewana Review by Bally Chohan

Monday, January 17th, 2011

Bally Choahn great fan of bollywood movies. Last time Bally Chohan have watched Yamla Pagla Deewana. According to Bally Chohan, Though the film title sounded interesting and we hoped something good might come out of it, in the end we realized that Dharam paa ji has disappointed us. Though it attempts to be a fun movie overall, it sadly falls flat and short of expectation and as a result YPD becomes a more or less predictable watch.

Bally Chohan says, the film begins with a word from Manmohan Desai, where the typical Lost and Found formula is adopted. And thereon the film moves on from one base level of absurdity to another. Bally Chohan Sasy, there are moments which would resemble old Govinda movies. On the other hand, the romance between Bobby and new heroine Kulraj Randhawa looks quite forced, which is yet again a minus from the movie.

Bally Chohan Says, What appeals is Dharmendra’s acting. He works like a charm, and totally shows that he can actually outdo both his sons. Also shines the music of the movie, where ‘Tinku Jiya’ is quite a hit now sung by Mamta Sharma of ‘Munni Badnaam’ fame. The film story is dragging in the first half, but picks up in the second, and finishes off as a slightly predictable but nice ending, with average comedy, which is thankfully not too much in-your-face.

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